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A Step-by-Step Guide to Copyright Registration for Music and related works in India

Copyright protection plays a fundamental role in safeguarding intellectual property, particularly in creative fields such as music. In India, copyright laws ensure that creators retain control over their works, receive fair compensation, and contribute to a thriving artistic ecosystem. Given the rapidly evolving digital landscape, understanding the significance of copyright protection is more critical than ever.

Why musicians need to worry about Copyright?

A successful registration of copyright, opens doors to various possibilities and avenues for a producer / artist:

  1. Creators derive exclusive rights to their works which can be further monetised. This economic protection not only encourages investment in artistic endeavours but also fosters a vibrant music and arts industry in India and all over the world.

  2. It grants control to creators over the nature of use of their work. It can also further prevent unauthorised reproductions or adaptations. Such a control essentially maintains the integrity of the work and ensures that creators receive recognition and compensation for their contributions.

  3. The protection helps preserve artistic and cultural authenticity, by ensuring, artists their expression receive due credit, minimising exploitation.

While copyright arises automatically upon the creation of a work, registration plays an significant role in strengthening legal claims as it provides Evidence of Ownership, as mentioned under Section 44 of the Act, which provides support in deterring infringers who may be less likely to use or copy work that is officially registered and protected by law, and access to statutory damages which can be crucial for creators seeking to enforce their rights effectively.

What works can be applied for Copyright protection?

As per law, a music professional can protect the following forms of original works under Copyright - Musical Works (compositions), Literary Works (lyrics) or Sound Recordings.

With regards to ownership, the original creator retains ownership rights by default. This typically means:

  • Composer owns the copyright to musical compositions.

  • Lyricist holds rights to the lyrics of a song.

  • Producer holds the copyright for sound recordings, including masters.

When multiple individuals contribute to a work, they may share ownership rights as joint authors, unless otherwise specified by an agreement.

What's interesting is that copyright can be permanently transferred from the original owner to another party through a written agreement. This is known as Assignment of Rights. When the original owner retains rights but grants others permission to use the work under specified conditions, it is termed as Licensing, which also is carried out through a written agreement.

But more often than not, the artist is seen creating work under an employment contract or as part of a commissioned project. In such a case, the hiring party may be considered the owner of the copyright and this is known as Work-for-hire and this is usually communicated before the commencement of the work, and also mentioned in the agreement.

Understanding Duration and Nature of Rights

As per the Copyright Act, 1957, the duration for which a copyright is enjoyed by the owner is Lifetime of the creator plus 60 years for musical / literary works and 60 years from the date of publication for Sound recordings. During such period, the owner is granted the following rights:

  • Reproduction rights: Exclusive right to reproduce the work in any material form

  • Distribution rights: Right to sell, rent, or distribute copies of the work

  • Public performance rights: Control over performances of the work in public

  • Adaptation rights: Authority to create derivative works such as remixes or translations

  • Moral rights: Protection against distortion or unauthorised modifications of the work

Step-by-Step Registration Process

  1. Prepare the Application: Fill out Form XIV from the Copyright Office, including details about the applicant, type of work, and ownership.

  2. Submit Required Documents: Provide copies of the work (e.g., sheet music, lyrics, or sound recordings), a No Objection Certificate (if joint authorship).

  3. File the Application: Submit online via copyright.gov.in.

  4. Examination Process: After submission, there is a 30-day public notice period for objections. The Copyright Office reviews the application for discrepancies.

  5. Handle Objections (if any): If objections arise, the applicant must respond with legal justifications or supporting evidence.

  6. Receive Copyright Registration: If no objections remain, the Copyright Office grants the registration certificate, typically within 6 to 12 months.

The official fee is typically between INR 500-5000, depending on the type of work for which the copyright is applied for. While it looks simple, the process is not free of challenges.

Challenges along the way

  • Disputes over ownership: They often arise in collaborative environments where roles and contributions aren’t clearly documented. For instance, a composer, lyricist, producer, or even a session musician contributing improvisations may later claim rights. Without explicit agreements, questions like “Who owns the melody?” or “How are royalties split?” can lead to disputes, especially if the work becomes commercially successful.

  • Objections during Examination: During the 30-day public notice period, third parties may file objections claiming prior ownership, plagiarism, or lack of originality. For example, a rival artist might allege your melody resembles their copyrighted work.

  • Technical Errors during Filing: Applications are often rejected for avoidable mistakes like incomplete forms, incorrect fees, or non-compliant file formats. For example, submitting a lyric sheet in JPEG instead of PDF may delay processing.

While not mandatory, it is highly recommended to file applications for Copyright registration through a professional entertainment / IP lawyer. With professional help, collaboration agreements between contributors' can be drafted, which clearly define roles, ownership percentage, revenue-sharing terms, addresses moral rights and economic rights clearly, reviews and ensures the clear position of the creator's rights before the commencement of the project, and if any dispute still persist, provides mediation support for deadlocks. All of this plus, managing and representing your application before the Copyright Office.

By anticipating these challenges and adopting proactive measures, creators can streamline registration and safeguard their rights. Please note, the above article is only for educational purpose and doesn't constitute as legal advice.

For legal consultation, please write to us at namaste@namamilaw.com.

Frequently Asked Questions -

Q1: Is copyright registration mandatory in India?

No, copyright protection arises automatically in India under Section 13 of the Copyright Act, 1957, the moment your work is fixed in a tangible form (e.g., recorded or written). However, registration with the Copyright Office provides critical advantages:

  • Legal Presumption of Ownership: A registration certificate serves as prima facie evidence in court, shifting the burden of proof to the infringer to disprove your ownership.

  • Deterrent Effect: Publicly visible registration discourages unauthorised use.

  • Commercial Leverage: Essential for licensing, selling rights, or securing partnerships (e.g., labels or streaming platforms often require proof of ownership).

Example: If a filmmaker uses your song without permission, registration allows you to swiftly seek an injunction and damages without lengthy disputes over authorship.

Q2: Can I register a demo version of my song?

Yes, demo versions (unfinished recordings, rough mixes, or sketches) are eligible for registration if they meet the originality threshold. Key considerations are:

  • Originality Standard: The work must reflect your "skill and judgment," even if minimal (e.g., a unique chord progression or melody in the demo).

  • Scope of Protection: Registration covers only the material in the demo. If you later create a final version with substantial changes, consider a separate registration.

  • Submission Requirements: Submit the demo in an acceptable format (eg: MP3, WAV, Sheet Music)

Example: A songwriter can register a voice memo of a melody sung into a phone, provided it is original and distinct.

Caution: Avoid registering multiple drafts of the same work unless they differ significantly, as this may complicate enforcement.

Q3: What if someone copies my work after it's registered?

Copyright registration empowers you to take suitable robust action:

  1. Cease and Desist Notice - A formal notice demanding the infringer to stop using your work and compensate you. This notice can be drafted with the help of an entertainment / IP lawyer to cover all important aspects. Most disputes are settled at this stage.

  2. File a Lawsuit: Under Section 51 and 55 of the Copyright Act, you can sue for: Injunction Damages or Accounts of ProfitSeizure of Infringing Materials

  3. Criminal Action: In severe cases (eg. mass piracy) a police complaint can be filed under Section 63 of the Act, which may lead to fines and further imprisonment for the infringer.

Example: If a rival artist releases a song copying your registered melody, your registration certificate simplifies proving ownership in court.

Role of Documentation: Maintain dated records (drafts, emails, session files) to strengthen your case.

Q4: How long does the registration process take?

The process typically takes 6-12 months, due to the mandatory 30 day public-notice period and manual review by the Copyright office. However, your rights are enforceable from the date of creation, not registration.

Q5: Can I register lyrics and music separately?

Yes, Lyrics (literary work) and music (musical work) are treated as distinct copyrights.

If you’re a lyricist and composer collaborating, you can:

  • File separate applications for each element.

  • Register the combined “song” as a single work if ownership is shared.

Note: Sound recordings (e.g., studio tracks) require a separate registration, typically owned by the producer.